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20 years

One-Way Street

More than 20 artists
July 15 — August 11, 2023
Triumph Gallery and the Smena Center for Contemporary Culture
The exhibition explores the significance of place and the wide range of relationships to it, as well as the influence of landscape, memory, personal history, and other factors on the formation of a visual language within individual artistic practices.
Triumph Gallery and the Smena Center for Contemporary Culture present the exhibition One-Way Street, which launches the System Assembly project. The exhibition brings together artists whose biographies are connected with Kazan and whose work shapes the city’s contemporary artistic agenda.
More than twenty artists take part in the exhibition, working across a variety of media and addressing diverse themes. Visitors are invited to assume the role of a flâneur, moving through the exhibition as if along a city street—where chance encounters, pauses, and dialogues with new acquaintances may unfold along the way.
Triumph Gallery and the Smena Center for Contemporary Culture present the exhibition One-Way Street, which launches the System Assembly project. The exhibition brings together artists whose biographies are connected with Kazan and whose work shapes the city’s contemporary artistic agenda.
More than twenty artists take part in the exhibition, working across a variety of media and addressing diverse themes. Visitors are invited to assume the role of a flâneur, moving through the exhibition as if along a city street—where chance encounters, pauses, and dialogues with new acquaintances may unfold along the way.
The exhibition is organized in collaboration with the Smena Center for Contemporary Culture, which over the past decade has evolved from an initiative founded by a group of like-minded individuals into a significant cultural institution within the city.

In addition to organizing numerous exhibitions and educational programs—including those featuring artists from Kazan—Smena активно занимается research and archival work focused on the city’s contemporary art. The exhibition at Triumph Gallery is the result of Smena’s sustained efforts to develop and support the local cultural environment.
The exhibition is organized in collaboration with the Smena Center for Contemporary Culture, which over the past decade has evolved from an initiative founded by a group of like-minded individuals into a significant cultural institution within the city.

In addition to organizing numerous exhibitions and educational programs—including those featuring artists from Kazan—Smena активно занимается research and archival work focused on the city’s contemporary art. The exhibition at Triumph Gallery is the result of Smena’s sustained efforts to develop and support the local cultural environment.
The exhibition One-Way Street explores the significance of place and the wide range of relationships to it, as well as the influence of landscape, memory, personal history, and other factors on the formation of a visual language within individual artistic practices. For many of the participating artists, the interweaving of biography and local context serves as a key source for their work.

Yulia Pavlova draws on her father’s experience, reflecting on themes of solitude and withdrawal. Although born in Tashkent, Saniya Sazhenskaya is rooted in Kazan; in her work, she addresses questions of nomadism and the search for identity. Irina Safiullina studies traditional Tatar ornament and its contemporary interpretation. In her recollections of childhood on the Volga, Zulia Alieva uncovers hidden treasures and a particular appreciation for a connection with nature. Stasya Ibragim and Varya Obshyvalkina adopt the position of observers, documenting transformations within the urban environment of Kazan.
The exhibition One-Way Street explores the significance of place and the wide range of relationships to it, as well as the influence of landscape, memory, personal history, and other factors on the formation of a visual language within individual artistic practices. For many of the participating artists, the interweaving of biography and local context serves as a key source for their work.

Yulia Pavlova draws on her father’s experience, reflecting on themes of solitude and withdrawal. Although born in Tashkent, Saniya Sazhenskaya is rooted in Kazan; in her work, she addresses questions of nomadism and the search for identity. Irina Safiullina studies traditional Tatar ornament and its contemporary interpretation. In her recollections of childhood on the Volga, Zulia Alieva uncovers hidden treasures and a particular appreciation for a connection with nature. Stasya Ibragim and Varya Obshyvalkina adopt the position of observers, documenting transformations within the urban environment of Kazan.
The exhibition brings together a wide array of images, observations, and reflections. Aurora Rodina’s works resemble diaries in which the artist shares the most intimate moments of her life. Daria Skripal and Neji201 also turn to diary-like narratives, but transform memories and everyday situations into abstract compositions, inviting the viewer to take on the role of interpreter. Dreams, fragments of memory, and scenes from daily life likewise inspire Ivan Urban, Anastasia Yusypey, Nastya Moroz, Katya Konyukhova, and alesha.

Zukhra Salakhova constructs her own worlds, which then form closed systems of symbols and signs. Ilya Tatarov engages with mythology and the creation of sacred spaces. In his works, Artur Golyakov explores forms of everyday and religious mysticism, revealed through obsessive repetition and ritualized actions.
The exhibition brings together a wide array of images, observations, and reflections. Aurora Rodina’s works resemble diaries in which the artist shares the most intimate moments of her life. Daria Skripal and Neji201 also turn to diary-like narratives, but transform memories and everyday situations into abstract compositions, inviting the viewer to take on the role of interpreter. Dreams, fragments of memory, and scenes from daily life likewise inspire Ivan Urban, Anastasia Yusypey, Nastya Moroz, Katya Konyukhova, and alesha.

Zukhra Salakhova constructs her own worlds, which then form closed systems of symbols and signs. Ilya Tatarov engages with mythology and the creation of sacred spaces. In his works, Artur Golyakov explores forms of everyday and religious mysticism, revealed through obsessive repetition and ritualized actions.
Sasha Shardak draws on various aesthetic systems of the past, establishing their connection to the present day. The multidisciplinary artist Artyomm Seeela is inspired by primitive art and nature, and in his work seeks to propose an alternative vision of how the world might be structured.

Ellina Gennadievna employs new media to explore the interaction between the artificial and the natural, the real and the virtual. Nuriya Nurgalieva captures the sensation of the present moment, conveying subtle nuances of emotional experience through digital graphics and animation.
Sasha Shardak draws on various aesthetic systems of the past, establishing their connection to the present day. The multidisciplinary artist Artyomm Seeela is inspired by primitive art and nature, and in his work seeks to propose an alternative vision of how the world might be structured.

Ellina Gennadievna employs new media to explore the interaction between the artificial and the natural, the real and the virtual. Nuriya Nurgalieva captures the sensation of the present moment, conveying subtle nuances of emotional experience through digital graphics and animation.
The upcoming exhibitions of the System Assembly project will present the current artistic scenes of Nizhny Novgorod, Yekaterinburg, Perm, and other regions of Russia. The exhibition series aims to capture the present state of local art scenes while also presenting their development as an ongoing, forward-looking process—one that requires regular reassessment and renewal.

Curators: Marina Bobyleva, Kirill Maevsky
The upcoming exhibitions of the System Assembly project will present the current artistic scenes of Nizhny Novgorod, Yekaterinburg, Perm, and other regions of Russia. The exhibition series aims to capture the present state of local art scenes while also presenting their development as an ongoing, forward-looking process—one that requires regular reassessment and renewal.

Curators: Marina Bobyleva, Kirill Maevsky
About the System Assembly Project
The System Assembly project engages with the artistic scenes of different cities across Russia. Through artists and communities, it explores the processes that shape local cultural environments. Over the past ten years, Triumph Gallery has consistently collaborated with cultural institutions throughout Russia, presenting artists from various cities in its Moscow space. The gallery’s curators have participated in residencies and have organized exhibitions in Kazan, Nizhny Novgorod, Saint Petersburg, Samara, Yekaterinburg, Voronezh, Novosibirsk, and Tambov.

The exhibitions within the System Assembly project are the result of this long-term exchange, observation, and research. Following their premiere in Moscow, the System Assembly exhibitions will tour other cities, initiating a process of exchange and introducing audiences to artistic scenes across different regions of the country.
About the System Assembly Project
The System Assembly project engages with the artistic scenes of different cities across Russia. Through artists and communities, it explores the processes that shape local cultural environments. Over the past ten years, Triumph Gallery has consistently collaborated with cultural institutions throughout Russia, presenting artists from various cities in its Moscow space. The gallery’s curators have participated in residencies and have organized exhibitions in Kazan, Nizhny Novgorod, Saint Petersburg, Samara, Yekaterinburg, Voronezh, Novosibirsk, and Tambov.

The exhibitions within the System Assembly project are the result of this long-term exchange, observation, and research. Following their premiere in Moscow, the System Assembly exhibitions will tour other cities, initiating a process of exchange and introducing audiences to artistic scenes across different regions of the country.
Smena Center for Contemporary Culture
The Smena Center for Contemporary Culture is an independent institution based in Kazan, active since 2013. Smena encompasses an intellectual bookstore, an independent publishing house, a contemporary art gallery, and a platform for interdisciplinary events. Over the past decade, it has hosted more than 800 lectures across the natural sciences, exact sciences, humanities, and social sciences, as well as over 150 film screenings and contemporary music concerts.
The Smena building also houses the specialty coffee shop "Divan," the vinyl record store "Siyanie," and the gastrobar "Soloma."
Smena Center for Contemporary Culture
The Smena Center for Contemporary Culture is an independent institution based in Kazan, active since 2013. Smena encompasses an intellectual bookstore, an independent publishing house, a contemporary art gallery, and a platform for interdisciplinary events. Over the past decade, it has hosted more than 800 lectures across the natural sciences, exact sciences, humanities, and social sciences, as well as over 150 film screenings and contemporary music concerts.
The Smena building also houses the specialty coffee shop "Divan," the vinyl record store "Siyanie," and the gastrobar "Soloma."
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