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Chaos
Daria Fedorova
November 11 — December 11, 2022
Triumph Gallery
Triumph Gallery
Emotions are understood as part of a dialogue with the external world: we experience similar basic feelings and are familiar with the tension that accompanies their transition from one state to another, holding both our own and others' emotions within ourselves.
Triumph Gallery presents Disorder, the first solo exhibition by Daria Fedorova.
The artist’s focus is directed inward and toward what lies within arm’s reach. Daria’s primary source of inspiration is the human being and their inner structure. Emotions are understood as part of a dialogue with the external world: we experience similar basic feelings and are familiar with the tension that accompanies their transition from one state to another, holding both our own and others' emotions within ourselves.
The artist’s focus is directed inward and toward what lies within arm’s reach. Daria’s primary source of inspiration is the human being and their inner structure. Emotions are understood as part of a dialogue with the external world: we experience similar basic feelings and are familiar with the tension that accompanies their transition from one state to another, holding both our own and others' emotions within ourselves.
MEMORY DISTORTION
2022
Canvas, pastel, charcoal, oil, acrylic, mixed media
200×302 cm
2022
Canvas, pastel, charcoal, oil, acrylic, mixed media
200×302 cm
MEMORY DISTORTION
2022
Canvas, pastel, charcoal, oil, acrylic, mixed media
200×302 cm
2022
Canvas, pastel, charcoal, oil, acrylic, mixed media
200×302 cm
Triumph Gallery presents Disorder, the first solo exhibition by Daria Fedorova.
The artist’s focus is directed inward and toward what lies within arm’s reach. Daria’s primary source of inspiration is the human being and their inner structure. Emotions are understood as part of a dialogue with the external world: we experience similar basic feelings and are familiar with the tension that accompanies their transition from one state to another, holding both our own and others' emotions within ourselves.
The artist’s focus is directed inward and toward what lies within arm’s reach. Daria’s primary source of inspiration is the human being and their inner structure. Emotions are understood as part of a dialogue with the external world: we experience similar basic feelings and are familiar with the tension that accompanies their transition from one state to another, holding both our own and others' emotions within ourselves.
"My art is about the freedom of creation and the freedom of perception, like a kaleidoscope that lets in light from the outside but forms a pattern from the fragments and grains of what lies within," the artist explains. The composition of emotion is fragmented down to a cellular stratification, and this plasma becomes the "material" for working at an extreme degree of expression in her canvases. "In childhood, I had dyslexia, and as a result, I developed my own way of interpreting concepts and ideas," Fedorova says.
"My art is about the freedom of creation and the freedom of perception, like a kaleidoscope that lets in light from the outside but forms a pattern from the fragments and grains of what lies within," the artist explains. The composition of emotion is fragmented down to a cellular stratification, and this plasma becomes the "material" for working at an extreme degree of expression in her canvases. "In childhood, I had dyslexia, and as a result, I developed my own way of interpreting concepts and ideas," Fedorova says.
Thus, a departure from an obvious external idea leads to a reconfiguration of the perception of a specific form and opens up the possibility of experiencing something that is at once strange, familiar, and alien.
At times abstract, at times figurative, Fedorova’s paintings—echoing the art of the 20th century—do not visualize but rather reveal to the viewer their own thoughts, lived and пережитые states, and the moments connected to them. What is seen leaves behind a slight emptiness, as if emotions that once went unexpressed begin to dissolve.
At times abstract, at times figurative, Fedorova’s paintings—echoing the art of the 20th century—do not visualize but rather reveal to the viewer their own thoughts, lived and пережитые states, and the moments connected to them. What is seen leaves behind a slight emptiness, as if emotions that once went unexpressed begin to dissolve.
Thus, a departure from an obvious external idea leads to a reconfiguration of the perception of a specific form and opens up the possibility of experiencing something that is at once strange, familiar, and alien.
At times abstract, at times figurative, Fedorova’s paintings—echoing the art of the 20th century—do not visualize but rather reveal to the viewer their own thoughts, lived and пережитые states, and the moments connected to them. What is seen leaves behind a slight emptiness, as if emotions that once went unexpressed begin to dissolve.
At times abstract, at times figurative, Fedorova’s paintings—echoing the art of the 20th century—do not visualize but rather reveal to the viewer their own thoughts, lived and пережитые states, and the moments connected to them. What is seen leaves behind a slight emptiness, as if emotions that once went unexpressed begin to dissolve.
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