Dmitry Venkov deconstructs scientific discourse by means of art in his works. In the pseudo-documentary film "Mad Imitators" (2012), the artist conducts an anthropological study of a fictional community living in the vicinity of the Moscow Ring Road. This theme continues in other works by Venkov, such as "America" (2012), where the conspiratorial imagination is explored as a source of shaping the perception of the past. Venkov turns science against itself, creating a scientific anti-world where various "quasi" and "pseudo" entities come to life.