Triumph Gallery presents Surzhana Shirabdorzhieva’s solo exhibition Hypersensitization. The exhibition brings together graphic and textile works, sculptures, and video installations. The project engages with mechanisms of attention, bodily involvement, and the self-sufficiency of the artistic gesture, forming a state of heightened perception.

In Shirabdorzhieva’s works, everyday materials and objects are transformed into abstract artistic forms, connected to reflections on the nature of art and its autonomy. Working across various media—from performance and drawing to photography and virtual reality—the artist primarily uses video as a key tool for exploring form and perception.

The exhibition is structured around three key experiences: transformation, tactility, and release. In the three-channel video installation Flashlight, the artist illuminates the gallery space with a handheld source of light, turning it into a unified artistic object and blurring the boundaries between the everyday and the exhibition space. The video installation Fly continues the reflection on the relationship between the digital and the material, revealing the gap between the visual freedom of the image and its physical limitations.

The experience of tactility unfolds in the installation Nest, assembled from hundreds of metal needles, as well as in a series of graphic works created using the gum bichromate printing process. Familiar images of home, protection, and vulnerability are combined here with an emphasis on texture, multiplicity, and materiality. The theme of release is developed in the installation Wardrobe and the video work Invisibles, where states of waiting, control, and disappearance are explored.

Curator: Artur Knyazev