The aesthetic of Eva’s works is closer to reverent attention, which she pays to metamorphoses as a process, rather than to another restatement of timeless values that have been expressed through myth. The artist tends to show instances of incomplete transformation, as if oscillating between the past and the future, between understatement and finality, beginning and end.
This desire to capture the metamorphose itself finds manifestation in Eva’s medium of choice: in her paintings on plywood, the foreground and background overlay to form something in between a canvas and an assemblage. This two-fold effect is aided by introduction of other materials as well: mirrors, plexiglass, tempera. The setting and context for these works can thus be easily changed and rearranged; the characters are then untethered from any specific topos—the only important thing is what is happening with them.