Drawing on the theories of Vladimir Propp, the members of the GUY collective consider the egg as a vessel of life. In the exhibition, the artists construct a cosmogonic model: a sequence of stages of creation, symbolically articulated through scenes from The Little Hen Ryaba, is transformed into parts of a total installation. The appearance and disappearance of the golden egg in the tale exemplify an encounter with the inexplicable, as well as an attempt to accept and comprehend it. In this way, the fairy tale—and, by extension, the exhibition—becomes a narrative about the balance between life and death, the role of chance, and the readiness to endure turning points.