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20 years

Easter. Japan

Artyom Alekseev
November 7 — December 5, 2025
Gallery "Triumph"
The project brings together a series of new works created by the artist during his stay on Shikoku in 2025.
The Triumph Gallery presents a solo exhibition by Artyom Alekseev titled Easter. Japan. The project brings together a series of new works created during the artist’s stay on Shikoku in 2025.
The Triumph Gallery presents a solo exhibition by Artyom Alekseev titled Easter. Japan. The project brings together a series of new works created during the artist’s stay on Shikoku in 2025.
At the core of Alekseev’s practice lies process. His works are multilayered: the final image is only the visible stage of their gradual transformation. Beneath the layers of paint, earlier versions of the works are often concealed—not as corrected mistakes, but as archaeological strata that document the course of artistic exploration. The canvas becomes not merely a surface, but a carrier of time, a repository of evolving imagery. The final composition appears as a frozen moment within a continuous movement.
At the core of Alekseev’s practice lies process. His works are multilayered: the final image is only the visible stage of their gradual transformation. Beneath the layers of paint, earlier versions of the works are often concealed—not as corrected mistakes, but as archaeological strata that document the course of artistic exploration. The canvas becomes not merely a surface, but a carrier of time, a repository of evolving imagery. The final composition appears as a frozen moment within a continuous movement.
The artist’s themes range from personal memories to reflections on culture and society. His recent turn toward minimalism and abstraction can be seen as a response to the overproduction of visual content and the informational noise of the contemporary environment. By focusing on the materiality of painting—the tactile qualities of paint, the texture of the canvas, and the physical presence of the object—Alekseev seeks, through the utmost simplicity of form, to reveal the fundamental structures of the visible world.

Curator: Polina Mogilina
The artist’s themes range from personal memories to reflections on culture and society. His recent turn toward minimalism and abstraction can be seen as a response to the overproduction of visual content and the informational noise of the contemporary environment. By focusing on the materiality of painting—the tactile qualities of paint, the texture of the canvas, and the physical presence of the object—Alekseev seeks, through the utmost simplicity of form, to reveal the fundamental structures of the visible world.

Curator: Polina Mogilina
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