Anna depicts living spaces that function as shelters from external upheavals while simultaneously conveying a sense of disconnection. She integrates fragments of landscape into these interiors, layering real and imaginary objects, locations, and images, while deliberately excluding explicit markers of the present day. Elements of flora that would be unlikely to coexist in nature fill houses and rooms, concealing their inhabitants and traces of human presence. On the one hand, they evoke a sense of solastalgia—a longing for what has been lost—and thus serve as a reminder of events that have transformed the environment. On the other, they symbolize processes related to personal memory, its instability, and its mutability.